MAXIM SHALYGIN'S BALLET «TRACES» – THE EMBODIMENT OF THE SEMANTICS OF IURODSTVO

DOI: https://doi.org/10.35619/ucpm.vi36.423
Keywords: ballet creativity of Maxim Shalygin, iurodstvo, intertextuality, genre-intonation specifics.

Abstract

M. Shalygin's ballet «Traces» is studied for the first time in the article through the prism of the semantics of iurodstvo. The methods of the author's work with the symbolism of iurodstvo are determined, which is manifested both at the genre-intonation level (lamentation, allusion to cult melodies, appeal to the system of folk children's genres) and at the level of intertextual connections: in titles, dedications, text allusions.

Author Biography

Veronika Zinchenko , Tchaikovsky National Music Academy of Ukraine, Куіv

graduate student of the first year of study of the world music department

Published
2021-05-09
Issue
No. 36 (2020): UKRAINIAN CULTURE : THE PAST, MODERN, WAYS OF DEVELOPMENT Scientific journals Branch : Art Criticism
Section
ТЕОРЕТИКО-МИСТЕЦЬКІ АСПЕКТИ УКРАЇНСЬКОЇ КУЛЬТУРИ